Stephen Fry, Russell Brand, and the Theory of Everything: Part 2

TheTheoryOfEverythingPoster-01I have just returned from watching The Theory of Everything in the cinema. It was a wonderful example of finding hope and love in our broken lives. At times during the film, though, the uplifting element feels merely a superficial bandaid to cover up our feeling of helplessness and anger at the unjust pain and suffering that we witness in the film. Not only do we see Motor Neurone Disease ravage Professor Stephen Hawking’s body, but we also see the mental anguish his friends, wife and children go through as they face the consequences of a terminal disease. Like Stephen Fry, I felt like screaming to the heavens in outrage and indignation. There is certainly no “theory of everything” for Christians to explain the presence of suffering in the world. Like most people, my family and I have had our share of suffering, and, as a member of the clergy, I also have pastoral care for many who go through all manner of heartbreaking situations. The irony is, though, the only way this pain and suffering makes sense for me personally is in light of a loving and compassionate God, who reassures us that he knows what it’s like to face such anguish, stands alongside us in our tears, and affirms hope and meaning in seemingly hopeless and meaningless situations.

Towards the end of The Theory of Everything, as the couple face separation and divorce, Stephen Hawking looks at his wife, tears running down both of their faces, and utters four words that are so difficult to hold onto when we face times of darkness – “everything will be ok”. The wonderful peace behind those words, affirmed by Jesus himself and then countless Christian thinkers down the ages from Julian of Norwich to Dietrich Bonhoeffer, is at the heart of the Christian response to suffering. The following extract is taken from my book Finding Hope and Meaning in Suffering and asks whether we can make any sense of our suffering:

Cinema-Paradiso“In the film Cinema Paradiso (1989) the character Alfredo voices a sentiment that many of us feel at times in our lives. ‘With all due respect to the Lord who made the world in two or three days,’ he says, ‘I’d have taken a bit longer, but certain things I could have done better’. If we were playing God, there are certainly things about our fallen world that we may well want to change. Even at happy and upbeat times in our own lives, twenty-four hour news channels serve as a constant reminder that the dark side of life is uncomfortably close. The world continues to be troubled in so many different ways – wars, natural disasters, murder, child abuse, prejudice, hatred, and racism. When we personalise suffering, the situation seems even worse, as each one of us has endured pain and suffering at many levels during our lives. We may have lost someone we love, have been affected by illness or disability, have experienced broken relationships, have lost a job, or have experienced other traumas in our lives. Such incidences often take us by surprise, as they strike without warning and with devastating consequences. The playwright Christopher Fry compares the impact of suffering on our lives with an innocent walk on a minefield. ‘One minute you’re taking a stroll in the sun,’ he writes, ‘the next your legs and arms are all over the hedge’. He simply concludes that ‘there’s no dignity in it’.

XTC-Dear-God-69045The presence of such awful and indiscriminate suffering in the world is certainly one of the greatest challenges to belief in a loving God. As misery breaks through and our worlds are turned upside-down, words like ‘grace’ and ‘mercy’ often seem defunct. It is, therefore, unsurprising that the unfairness and injustice of life is one of the principal reasons given for rejection of God. In the song ‘Dear God’, the 1980s group XTC stood alongside many of their fellow agnostics and atheists in positing the depth of pain and misery in the world as a reason for their apostasy. God stands accused of failing His creation, as wars, natural disasters, and vicious diseases render him culpable. The song concludes that Father, Son, and Holy Ghost are nothing but ‘somebody’s unholy hoax’.

st teresaChristians themselves have long recognised that suffering has the potential to alienate people from the faith. ‘If this is the way you treat your friends, it is little wonder you have so few of them’, the sixteenth-century mystic St Teresa of Avila was overheard screaming up at God when her ox cart overturned. The consequence of suffering is, however, often more wide-reaching than a mere rejection of faith. Many fall into resentfulness, intolerance, callousness, or insensitivity as a result of their afflictions. It is certainly not our place to judge those who succumb to such bitterness or hard-heartedness, but each and every one of us does have the option of taking a different path through the dark night of our pain.

“Pain may remind us that we are alive, but love reminds us why we are alive” (Trystan Owain Hughes)In facing our suffering, then, our aim should not be to explain away or justify, in the words of Dostoevsky, ‘the human tears with which the earth is soaked from its crust to its centre’. Rather, our aim should be to start to make larger sense of, and ultimately learn through, the apparent senselessness of our circumstances. After all, if we are to find meaning and hope in our lives, then it must be equally valid, if not more valid, in times of suffering as it is in times of comfort. Furthermore, at the centre of that search for meaning and hope must be the experience of the world’s freely-given love. Our world may well be deeply flawed in its present form, but it still offers us a wonderful experience of the love that flows from joyous and life-affirming gifts such as laughter, nature, memories, art, and other people. Nietzche reminded us that ‘he who has a why to live can bear with almost any how’. It is in these gifts, which for Christians could be termed ‘glimpses of transcendence’ or ‘rumours of another world’, that we can discover the why in our torn and troubled lives.”

(extract taken from Trystan Owain Hughes, Finding Hope and Meaning in Suffering SPCK, London 2013)

See also:

Stephen Fry, Russell Brand, and God in a suffering world: Part 1

Finding Hope and Meaning in Suffering (blog post)

“Love reminds us why”: God and the mystery of suffering

Stephen Fry, Russell Brand, and God in a suffering world: Part 1

brand

Click to view Russell Brand’s reply to Stephen Fry

So much has been written on Stephen Fry’s recent interview on Irish television, in which he was asked what he’d say if he was confronted by God at the pearly gates. His answer described the divine as a “capricious, mean-minded, stupid God who creates a world which is so full of injustice and pain”. Fellow-comedian Russell Brand’s responded to Fry on his YouTube channel, and, whether Brand would describe himself as “Christian” or not, he sums up much of what I have written about in two of my books – Finding Hope and Meaning in Suffering and The Compassion Quest. Instead of contributing yet another response to the plethora of discussions already on the web, I have decided to post a series of extracts from those books – extracts that relate directly to the questions Stephen Fry asks and to the responses Russell Brand gives. The first extract sets the scene:

Color Purple“In Alice Walker’s Pulitzer Prize-winning novel The Colour Purple, the main protagonist Celie, a poor, uneducated, black girl living in the Deep South of the United States in the 1930s, describes to a friend the God to which she was introduced at a very young age. ‘He big and old and tall and greybearded and white;’ she explains, ‘you wear white robes and go barefooted’. This God was a distant, authoritarian figure, who had been used for centuries to justify the power that whites held over blacks and that men held over women. Celie admits that it was, therefore, easy for her to discard her out-dated, white, male deity. ‘When I found out, I thought God was white, and a man, I lost interest’, she confesses. This, however, was only the beginning of Celie’s faith journey, and the novel describes her eventually laying aside her negative concept of God and moving towards a radically different, incarnational portrayal of the divine.

DawkinsBy today, while very few Christians would hold to a God who could be described as ‘white’ and a ‘man’, a theologically traditional view of God is still in ascendance. Yet, in recent years, the traditional image of God has found itself under vitriolic attack. Writers such as Richard Dawkins and the late Christopher Hitchens certainly influence the thoughts and beliefs of their readers, but, more than this, they reflect and affirm the already deeply-held hostility of an increasingly atheistic society towards faith. Speaking about ‘God’ is regarded as being as nonsensical as speaking about Father Christmas or the tooth fairy. ‘Fairies don’t exist, because we don’t see them. If we don’t see things, they don’t exist’, explained my 5-year-old daughter. Dawkins’s analogy of faith being akin to believing in a Flying Spaghetti Monster runs along a similar line of argument – believing in a God we can’t ‘see’, ‘touch’, or ‘hear’ is as ridiculous as believing in a fantastical creature. Dawkins’s image has particularly been taken into the hearts of atheist and agnostic internet bloggers, one of whom famously adapted an image of Michaelangelo’s ceiling at the Sistine Chapel by replacing the Almighty with the Spaghetti Monster. One of his tentacles reaches out to touch Adam’s finger, with the tagline ‘Touched by his noodly appendage’.

misunderstandingSuch criticism of the traditional image of God is now widespread in our society. Young people especially regard such a critique as supporting their worldview and culture, and many of their idols, from comedians like Ricky Gervais and Eddie Izzard to TV celebrities like Derren Brown and Stephen Fry, affirm their views. For us to counter such misunderstanding and prejudice about the Christian God, we ourselves must embark on a liberative faith journey like the one taken by Celie in The Colour Purple. By undertaking such a quest, we must aim to develop our image of God to reach a way of viewing the divine, and a way of speaking about the divine, which can make sense to the post-modern, scientific mind-set, but still holds on to a theologically sound and time-honoured foundation. After all, such joviality about the Flying Spaghetti Monster hides a serious issue that Christians have to face. Traditionally, the Christian concept of God has been unashamedly other-worldly and, to the unbelieving mind-set, such a supernatural God is increasingly seen as ‘unbelievable’. At the foundation of this traditional, ethereal view of God, however, is not Christianity itself, but rather the secular lens through which our faith has universally been read.”

(extract taken from Trystan Owain Hughes, The Compassion Quest SPCK, London 2013)

See also the following blog posts:

Finding Hope and Meaning in Suffering (blog post)

“Love reminds us why”: God and the mystery of suffering